Ebook Download Handbook of Music and Emotion: Theory, Research, Applications By Patrik N. Juslin, John Sloboda
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Handbook of Music and Emotion: Theory, Research, Applications By Patrik N. Juslin, John Sloboda
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- Sales Rank: #666746 in Books
- Published on: 2011-05-08
- Original language: English
- Number of items: 1
- Dimensions: 6.80" h x 2.30" w x 9.70" l, 2.90 pounds
- Binding: Paperback
- 992 pages
Review
"The quality of the writing and editing is consistently high, the voluminous reference lists accurate, and the select reading recommendations at the conclusion of each essay helpful." -- Mark Germer, University of the Arts, Notes
About the Author
Patrik N. Juslin is associate professor of Psychology at Uppsala University, Sweden, where he teaches courses on music, emotion, perception, and research methodology. He completed his PhD in 1998 and became associate professor in 2004. Juslin has published numerous articles in the areas of expression in music performance, emotional responses to music, music education, and emotion in speech. In 2001, he edited the volume Music and Emotion: Theory and Research together with John Sloboda. Juslin is associate editor of the journals Music Perception and Musicae Scientiae. He is a member of the International Society for Research on Emotions and received ESCOM's 'Young Researcher Award' in 1996. Alongside his work as a researcher, he has also worked professionally as a guitar player.
John Sloboda is Emeritus Professor at Keele, and honorary Professor of Music at Royal Holloway University, London. He has been a member of the School of Psychology at Keele since 1974 and was Director of its Unit for
the Study of Musical Skill and Development founded in 1991. John Sloboda is internationally known for his work on the psychology of music. He is a Fellow of the British Psychological Society, and has been President of both the Psychology and General Sections of the British Association for the Advancement of Science, as well as President of the European Society for the Cognitive Sciences of Music, where he serves on
the editorial board of it's journal Musicae Scientiae. He was recipient of the 1998 British Psychological Society's Presidents Award for Distinguished Contributions to Psychological Knowledge, and in 2004 was
elected to Fellowship of the British Academy. He is author of over 150 publications in the field of music psychology.
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